Because we know only Rouilleux's small room, his still lips, and a baseball cap used in No Pavarotti, we were surprised by the final sound of the songs he had been working on for several years. At first glance it's like being thrown into the heavy water without having swimming skill. But the real effect of "Zugzwang" (no reasonable way of moving) is totaly different: "a motion resembling random swarming of microscopic particles in fluid". How beautiful and delicate could be the brightest moment right before the black ships eat the sky and fall down to satisfy their thirst...

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